Sublime and Ridiculous

Just finished rereading David hepworth’s excellent ‘Never a Dull Moment’ when my eye caught an online piece about Iggy Pop’s Totally Bonkers Contract Rider for Concerts.

I confess I came to Iggy Pop late. Too late, in fact. I quickly reached the conclusion that I should move along, nothing to see here.

But back to Hepworth’s book, which marks out 1971 as being a most significant year in music, on a number of levels. Aside from the compilation of fascinating facts and insider snippets, the book has the magical ability to make time travel seem real. So I found myself thumbing through the pages with one almost 64 year old foot in the present, the other, that of an almost 17 year old, feeling for places that offered a secure perch from where I could survey and enjoy the rock landscape of almost half a century ago.

I highly recommend the book and, while my mind remains unchanged with regards to Iggy Pop, I do have a soft spot for this collaborative effort, ‘China Girl’.

The Mark of a Man

When I heard about Mark Radliffe’s cancer diagnosis, my heart sank. I’ve had a fondness for his taste in music and the manner in which he presents it, since he played Veruca Salt’s ‘Seether’ for my daughter, on his radio show, in 1995. In fact it was the opening track on the playlist. His opinion? “Corker!

I love his sense of fun. Like the time he did an impression of Liam Gallagher between acts, during coverage of a Glastonbury Festival. Stood there at the microphone, knees bent, head tilted upwards, shifting his weight from leg to leg whilst whining, “Glastonbury? No, it’s shite. (pause) It’s alright.”

Despite his natural effervescence, his upbeat tweets and positive demeanour, he must have been fearing the worst. I had a lesion on my tongue investigated in 1996. Who would have thought that such a short, inoffensive word like ‘biopsy’ could induce such a severe loss of balance, but it did. It was lucky I was sat down. Luckier still, that I drew the benign ticket, unlike Mark Radcliffe.

A good decade after the Veruca Salt request, I had the pleasure of having a brief chat with him at the Cambridge Folk Festival. He was enjoying a glass of Bombardier in the late afternoon sunshine, and I was after an autograph for the cover of my newly acquired Family Mahone CD.

The man is a delight. I wish him a full and speedy recovery, and a return to banging the drum!

Where to next?

We only ever spoke once. He was rescuing the family trampoline from some common land we have to cross, to get to the village shop. While he and his family were holidaying in Cyprus, high winds had lifted and rolled the giant springy platform across two sizeable fields, setting it down in a clearing, ready for use.

We stopped for a while, as he and his son calculated the feasibility of getting the thing home on a trailer. I had my doubts, as the trampoline was wider than the lane through which it would need to travel. We wished him good luck, and continued on our way.

After that, he always nodded and smiled whenever he passed us in the lane. And that’s the kind of relatonship we had with him, as we do with so many people in our stretched and straggled village: a nodding acquaintance.

A little over a fortnight ago, he passed us in the lane. We pressed ourselves into the hedge and he offered his usual wave of the hand. An easy smile lit up his ruddy face. It was around 10.00. At 13.30 he was dead. Heart attack. Aged 58, the life that generated the friendly wave and a warm grin left him with little warning.

After receiving the news from a neighbour, I tried to recall when I was last shocked at learning about the sudden death of someone I knew. It was before I retired, a full twelve years ago. The death of a colleague is always distressing, but particularly so when they are people you work with, closely. The casual “Have a good weekend. See you on Monday,” can seem like a curse when Monday never arrives for those you have wished well. An aneurysm for a funny, lively, kind woman in her forties. Suicide for a hugely intelligent, innovative, high-flyer in his thirties. Who knew? Nobody.

The fine line comes into sharp focus each time a familiar face leaves the stage, doesn’t it? The news is always sad, but as the years pass, less and less shocking. It would seem that the skin of acceptance is tailored to fit more neatly, with age.

A Civil Tongue

When Kenneth Clark’s ‘Civilisation’ first aired on BBC2, in 1969, it completely passed us by. It just wasn’t the kind of thing we watched, either as a family, or individually. It wouldn’t have been on the menu in the same way that university wasn’t mentioned beyond the name of the ‘University Challenge’ host, Bamber Gasgoigne. His moniker was part of the same limited household lexicon of exotica as aperitif, souffle, jodhpurs, debutante, etc. You get the picture.

In light of what might be regarded as a 49 year old missed opportunity to enjoy a cultural televisual feast, I was delighted to discover that the entire 13 part series is currently available in the iPlayer archive section. It’s a bit stiff and starchy but I’ve warmed to Kenneth Clark – a lifetime Labour voter, by the way– and his kindly method of presentation. It’s as if the programmes had been tailored for the benefit of working class families like ours, and I wonder what collective thoughts and opinions might have been aired in the living room, if we’d given it half a chance?

Religion, and Christianity in particular, is ever present as Clark explains his personal views of civilisation in the west. By the west, he means Europe, specifically. I guess he would have been given short shrift from a family who usually switched ‘Songs of Praise’ off every Sunday, barring Christmas, when carols were sung.

Not that we were an intolerant lot. I mean, we kept quiet while The Cliff Adams Singers sang something simple, and in return, there was no adult moaning while Pick of the Pops was on. All very civilised really, I suppose.

Purged Posts and Digital Dust

The clearing out of my digital drawers – not the wrong trousers – continues. Beware the perils of Facebook, as if the more sensible among you weren’t, already. I discovered that I can’t leave. At least I can’t leave without pulling the plug on various thriving interest groups that are inextricably locked into my personal account. The only thing for it is to delete as much personal data as is possible until my timeline reflects a long list of nothing. Some may argue there’s nothing new there.

Actually, even the laborious process of expunging six years of posts, shares and tagged items, manually, has its benefits. If nothing else it’s a good exercise in getting to know yourself better. For every “blimey! I didn’t realise that happened five years ago”, there’s a “oh gawd, did I really say that?”

Anyway, whilst taking a break from purging, deleting, wetting my virtual finger and rubbing out the errors of my online ways, I discovered something wonderful. A haunting collaboration bewteen Marianne Faithfull and Nick Cave on “The Gypsy Faerie Queen”.

Waiting at the Egypt Station

After Wings at the Speed of Sound I stopped buying Paul McCartney albums. I still enjoyed some of the hits and collaborations, but my general reaction to his work could largely be measured in yawns.

Last weekend I read this favourable Guardian review of Macca’s latest release, Egypt Station. According to Kitty Empire, the man was back in the groove.

So I sat down, selected play on Spotify, and listened for just shy of an hour, 16 tracks. Hmm… sadly the only groove I detected was the one carved out by repetition and predictability. It just didn’t seem to get going. The battery was obviously fully charged and the starter motor was turning, but there was no real spark.

I hear a lot of people say fair play to the man, still doing his thing at 76. I wonder if this sentiment is largely born out of affection, or wishful thinking. A nod to past achievements, or a deep seated longing for one more masterpiece?

I was/am a loyal Beatles fan, and I still play McCartney’s first three albums from time to time. I probably would have drawn the line after Wings Wildlife, but the next three albums made up the bulk of the Wings set, on their 1975/76 tour. I saw them on the first night, in Southampton, and again at Wembley Empire Pool on the third but last gig on their itinerary. They were sensational. They weren’t just in the groove, they were scratching deep and leaving audiences with all the right kinds of scars. The kind you never attempt to cover up.

As for Egypt Station, this is the best of the bunch, for me. Have a listen. See what you think.

Air Pressure

Sometimes, when the skies are cloud-free and the sun has risen just enough to bleed its light into a new morning, we sit in bed and watch the pale blue being slowly and elegantly slashed. An anonymous, odyssey-driven hand making long pink incisions that heal slowly before our eyes, leaving only the faintest of scars.

At the leading edge of each graceful gash, an aeroplane, not short of company in the complex cat’s cradle of flight paths. Yet it looks, for all the world, to be a distant and lonely object. It’s hard not to think of the passengers and crew. Each separated from someone they love, by speed, trajectory and altitude. Some carrying the undeclared weight of loneliness, others immersed and at home in their own turbulence.